Paladin

Aug 16, 2022

A commendable effort by writer Kenneth Brown, actor Caley Suliak and very hard-working tech. Author of the article: The Paladin stars Caley Suliak, and runs at La Cité Auditorium. Photo by Thomas W Turner Reviews and recommendations are unbiased and products are independently selected. Postmedia may earn an affiliate commission from purchases made through links on this page. Article content Try refreshing your browser, or 3 Stars out of 5 Advertisement 2 Article content Stage 14, La Cité Auditorium (8627 91 St.) With a dense, twisty plot more like an Alan Dean Foster Han Solo novel than, say, that weak-sauce Disney+ Obi-Wan series, The Paladin is first and foremost about its intricate and original world-building, which Girl Brain’s Caley Suliak both narrates and dramatizes, all on her own. Well, all on her own with a half-dozen-plus canned audio performances and more than 500 separate audio and lighting cues, that is — big nod to her hard-working tech. This is, in effect, a radio play, but with Suliak miming a lot of action we’re hoped to imagine. In the flesh, Suliak plays Space Ranger Orphea Flange, a space rascal with a dead wife on the wrong side of a number of galactic bullies, including telepathic pigs and a planet-sized space face known as The Vizier. There are laser fights, space battles and a thick script full of dialogue, including a compelling renegotiation between Flange and her robot spaceship where some blame is fascinatingly accepted. George Lucas is summoned in the first few lines for having a bigger budget, but there is that Star Wars prequels feeling of Suliak sitting a lot in front of a green screen. Still, a commendable effort by both the writer, Kenneth Brown, and Suliak. And that tech, of course. Share this article in your social network Share this Story: FRINGE REVIEW: The Paladin builds an intricate, original world